Artist BLUNDETTO
Title GOOD GOOD THINGS
Label HEAVENLY SWEETNESS
Catalog # HS207VL
Genre Reggae / Dub
Release W 33 - 2020
Format Vinyl - EU2LP

ジャイルス・ピーターソンらに絶賛された2010年の「Bad Bad Things」、その続編「Good Good Things」。サイケ・サンバ 、ドープなインスト・ファンク。エキゾチックでトロピカル。アートワークはアムステルダム在のアーティスト、モシー・ジャイアント。

TRACKS
Menina Mulher Da Pele Preta Feat. Leonardo Marques
Feel The Cold Feat. Hindi Zahra
Bingi
Barcelona Feat. Crime Apple Kahina Ouali
Sunday In The Club
Canasta Feat. Telly
Paseo
Fly High Feat. Hindi Zahra
Pais Azucar
Tengo Fe Feat. Chico Mann
Mo Dinero
Atras Desse Ceu Feat. Leonardo Marques
Antiguas

DESCRIPTION
New album from the Parisian producer.

Label say:
Because, at La Creme Garcia Club, a private circle of discerning smokers in Barcelona, Blundetto was in heavy rotation in the playlists. So heavy that these people of good taste for legal activity on this side of the Pyrenees yet prohibited from profits, had the idea of becoming the privileged partners of a new album. Without scrutiny, without intervention in the artistic, but with a single watchword: let Blundetto return to his first love of world sound.

The result is a stereo trip illustrated by Mossy Giant's artwork. A trip around the world without leaving your couch.
An offer that cannot be refused.

Ten years had passed since Bad Bad Things; it was the occasion to celebrate this decade by reviving its state of mind. The one who mixes collaborations, atmospheres, and styles. Exiled to the green, in musical autarky from several albums, Blundetto has therefore returned to the rhythm of city life and studios. He has changed his way of operating, opened his repertoire, and invited friends to new titles that he had written for them.

The circle of intimates already present on Bad Bad Things (Hindi Zahra, General Electric, Chico Mann) has widened to include regular accomplices (Biga Ranx) and to extend to artists with whom Blundetto felt an obvious connection (Crime Apple, Leonardo Marques). Guided by this roadmap written by Blundetto, all succeeded in painting with their colors and spreading their musical soul in the project, either taking the rhythmic direction of Brazil, Africa, or Latin America, getting dizzy in Jamaican fumes or chopping at the salient angles of hip hop.

Dive into the new openings of Clément Petit’s arrangements, now more sophisticated than those on which Blundetto evolved, and now capable of bringing an orchestral dimension made of strings and brass, creating a direct opening on the emotions, an automatic generator of images to accompany the soundtrack by the producer Blackjoy.

Whatever the orientation, each guest becomes a unique and essential part while Blundetto remains the common thread, the cement and the final varnish of a musical mosaic called Good Good Things.